Marie Naffah hails the life-affirming appeal of touring with cathartic cut “I Want More” With the pandemic seeming to place life interminably on hold, Marie Naffah echoes the sentiment… Posted by Seth Hager February 21, 2024
Wunderhorse swaps chaos and fuzz for understated confidence and evocative nostalgia on “17” Contrary to what his sybaritic punk past in Dead Pretties would suggest, Wunderhorse, AKA Jacob… Posted by Seth Hager February 10, 2024
Khazali puts a refreshing spin on a breakup with “Dance On The Rain” For an artist with barely half a dozen of releases to his name, Khazali's sound… Posted by Seth Hager February 9, 2024
kuru refreshes the realm of hyperpop with new single “pretty things” While placing himself within the pointedly Gen-Z hyperpop and digicore genre, kuru is revitalising its… Posted by Seth Hager February 8, 2024
Nia Archives’ “Luv Like” is an exploration of self-image cloaked in jungle rhythms It would appear that 2024 is about to be Nia Archives’ year. Having spent the… Posted by Seth Hager January 11, 2024
Deanna Petcoff recoils from “Devastatingly Mediocre” dating in her new single Arising from blandness, Deanna Petcoff takes confessional songwriting to a new level in her latest… Posted by Seth Hager January 5, 2024
Parisian producer Darius take cue from Kadhja Bonet on electro-soul ballad “NOTHING TO ME” The quantised wooze of Darius’ latest offering reverberates on the most chill of frequencies, echoing… Posted by Seth Hager January 4, 2024
Alexander 23 tells his old flames to “Hate Me If It Helps” Before sitting down to write his own post-breakup bops, Alexander 23 dabbled (to put it… Posted by Seth Hager January 4, 2024